Book review: Brother’s Ruin by Emma Newman

brother's ruin by emma newman

Charlotte guided her brother to the right position on the pavement, ignoring the glares from other Londoners as they stopped the flow of people hurrying about their business.

I have just read this little book, and it was a delight. Very much the beginning of something (it’s okay, there are more books!), yet compelling in its own right. Brother’s Ruin is set in a Victorian London with magic, which seems to be the theme of several books I’ve bought recently. It is a well imagined world, with just the right amount of nitty-gritty detail.

The story follows Charlotte, or Charlie as she is nicknamed, a young woman of middling class with several secrets and a fiance whom I personally thought was a bit useless. The question is, can she actually keep any of her secrets secret?

There were lots of things that Brother’s Ruin did that were fun. I liked how industrial the magical colleges sounded, and the fact that the industrial revolution is effectively being powered by magic. I loved the trope inversion of Charlie’s brother being the one with non-specific ill health. Charlie herself was a loveable character. There was always this sense of a stubborn, naturally hotheaded person struggling in a system where she can’t be those things. It’s a fantastic read, and I’m looking forward to the second in the series.

Rating: read this book, dismantle the patriarchy!

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Book Review: Provenance by Ann Leckie

Provenance Ann Leckie

“There were unexpected difficulties,” said the dark grey blur.

I have briefly mentioned the Imperial Radch trilogy before, in a slightly incoherent, oh-my-goddess-I-love-this-so-much way. In order to for this book to make any sense, you need to have read those three books (Ancillary Justice, Ancillary Sword, Ancillary Mercy) first. They are very very good, so off you go and read them. I’ll wait.

Done? Okay, on to the review. Provenance is set in the same world as the Imperial Radch trilogy, but outside the Radch Empire and with a new point-of-view character. It is set shortly after the events of Ancillary Mercy, although it is not a direct sequel. Ingray Aughskold is a very different person from Breq/Justice of Toren One Esk. She is entirely human, for a start, and she comes from one of the many civilisations living outside the Radch Empire (the Radch do not make for good neighbours). She is young, she is a bit inexperienced, and she is desperate. Or at least, she feels that way.

Ingray is in many ways a very privileged young woman, fostered by a prominent family on Hwae. Her family is also rather cutthroat, and when we meet her Ingray has just sunk all of her money into a mad scheme designed to set her above her fosterbrother and secure her place in the household. Safe to say, it does not go as planned at all. Events spiral out of her control, there are other agendas at work, and by the end of the book her original aims are almost forgotten. It is fantastic.

I love the things that Ann Leckie does with worldbuilding, especially in the way that she creates social and cultural norms and then puts them next to another culture with different ones. Hwae, for example, has a three-gender system, with children considered agender. People declare their gender when they become adults, and take on an adult name. She has done this after writing an entire trilogy with a culturally Radchaai point of view character, who thought of everyone as ‘she’ because the Radchaai only have one gender. There are people from a different system (the name escapes me), who cannot speak to family members or even acknowledge their existence. There are aliens, there are humans from different places with very different ideas about how things should work, and there are humans who are legally considered aliens. It is also great that a lot of her spacefaring cultures feel distinctly non-European, and are mostly not white.

Provenance is big and fun and complicated. It is about where people are from, and how much that matters. It’s about the stories that people tell about themselves; the personal ones and the historical ones, and what happens when one person or group’s stories are told louder than others, or when those stories turn out to be not entirely true. It is about Ingray Aughskold figuring out that she doesn’t need to be anyone except herself, and in the background huge things are happening as the Presger and the Geck and the Rrrrr come to meet and discuss whether or not AI can be part of the non-interference treaty.

I strongly recommend Provenance, as well as the Imperial Radch trilogy. Ann Leckie’s world is a big exciting place with lots to say about personhood and Empire and society, and she says it well in the form of compelling stories.

Rating: read this book; question everything…

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Book Review: White is for Witching by Helen Oyeyemi

White is for witching by Helen Oyeyemi

ore: Miranda Silver is in Dover, in the ground beneath her mother’s house.

This has to be the most unsettling book that I have ever read, with the possible exception of Let the Right One In although that is a completely different kind of unsettling. I have never read anything like it: Helen Oyeyemi’s writing is unique, and the sort of thing that one probably loves or hates without an inbetween. It is a story told by unreliable narrators: several of them, who are not always who they say they are. It is a story that crept up inside my head and squeezed my heart and promised not to let me go. It was not the story that it started out as, either. There are forms in which I have read this story before, and in which I am tired of reading it. I am tired, more than I can say, of the pretty thin fragile girl going mad while holding up all the things that nobody else can see and breaking breaking breaking while always looking beautiful – most girls are not fragile. Most women are not mad, but spitting furious (in my experience) and living with things that are not easily spoken of. I am tired of this narrative which has no space for the fury.

(And Miranda was not the only girl there: Ore was there, holding a whole different set of things, and Tijana and SPOILER I was glad that Ore left, that she did not stay to pick up pieces in a fight that wasn’t hers that would have tried to destroy her. Not glad that, again, the queer romance ended in tragedy and separation, but glad that Ore left and survived END SPOILER.)

White is for Witching was not quite this narrative. It went somewhere else. It was that story, told differently and compulsively and with layers and layers that I will probably be peeling back compulsively over the next week, month… It was about an angry house full of rattling histories and bigotry, and a family haunting and haunted. It was about keeping people out or letting them in and all of the ugly ugly things that get swept out of sight. It was about nationality and legacy and the things that get carried and the the things that are devoured and who belongs. Who really belongs, and what that means, and who gets to decide that and what right they have to do so. It was about all the things that Miranda Silver tries to devour or keep at bay; all the history bearing down on her and bearing down on Ore.

It was complex. I don’t think I can unravel it in just one review but it is worth reading, and worth reading again, and marking notes in the margins with pencils and listening to and thinking about the things that nobody wants to look at and why and the messy patchwork that makes up this country and all the everyday violence therein. And the ghosts, standing behind everyone.

Rating: read this book. Do not eat the damn apples.

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Book Review: The Book of Dust Volume One: La Belle Sauvage by Philip Pullman

la belle sauvage book of dust one philip pullman

Three miles up the river Thames from the centre of Oxford, some distance from where the great colleges of Jordan, Gabriel, Balliol, and two dozen others contended for mastery in the boat races, out where the city was only a collection of towers and spires in the distance over the misty levels of Port Meadows, there stood the priory of Godstow, where the gentle nuns went about their holy business; and on the opposite bank from the priory there was an inn called the Trout.

I absolutely loved this. It has been a long time since I read His Dark Materials, which consists of some of my favourite books of all time. I briefly considered re-reading them before diving into The Book of Dust: volume one. In the end I was far too excited to wait.

It took a while for me to settle into this book – I was, I think, a bit too excited about it and couldn’t quite enjoy what was happening now because I wanted to know what would happen next. I became absorbed quite quickly, to the point where I cannot actually pinpoint when I stopped jittering about. Malcolm was, at first, a bit difficult for me to relate to. He grew on me as the story went on, and I think it helped that the point of view moved occasionally.

One of the things I’ve always really loved about His Dark Materials is the worldbuilding (especially in the first book, Northern Lights), so I was absolutely delighted to be returning to the same world. I had forgotten how much I enjoy Philip Pullman’s writing, the long lyrical sentences; the specificity of his dialogue and the richness of feeling. The story is set when Lyra is a baby, and it was exciting to get a sense of Brytain ten years before Northern Lights. Marisa Coulter turns up, which made me yell a bit – I’ve always counted her as one of my favourite villains.

There were some things that were tricky for me – I liked that His Dark Materials had a female central character, so I kept having to adjust for Malcolm being in the middle of it all. There were women in the story, quite a lot of them, but it’s just not quite the same. Of course, Malcolm’s Daemon is female, so there is that.

As for the plot – oh I was just swept away. I read this in two sittings over one day, and I could probably read it again next week. It was, in instances, very fairytale-esque. And relevant to current events in a somewhat scary manner.

I’m well aware that I’m not being particularly objective – it’s all very fresh in my mind and I sort of want to think about it all, re-read it, think about it all again and then re-read the original three books. I’d say it’s definitely a brilliant addition to the world, and I’m interested to see what happens with the other Book of Dust volumes.

Rating: read this book. Do your best to keep your head above the rising water.

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Book Review: The Fate of the Tearling by Erika Johansen

The FAte of the Tearling book cover

Long before the Red Queen of Mortmesne came to power, the Glace-Vert was already a lost cause.

I finally finished this incredible trilogy, and oooooh do I have a lot to say! If you want to catch up, you can find my reviews of the previous books here and here. I am going to try to avoid spoilers, but there will definitely be some for the previous two books.

So, The Fate of the Tearling. Where to even start? It’s hard to review without describing the whole plot of this and the previous two books, because a lot of things get followed up and pulled together, some of which I had not even noticed being foreshadowed. Kelsea Glynn, now a prisoner, is being taken to Mortmesne; the Mace is trying to run the Tearling (he has the entire damn church to contend with); the Red Queen (we know who she is now!!!!) has an enemy other than Kelsea. And frankly, it looks like everything might go to hell in a handcart. The flashbacks from the past are increasingly important, relating to the present and possibly the future. We get to see the Tearling in its infancy, and watch as it inexorably seems to rip itself apart.

There were a lot of things I loved: this book has strong imagery, much of which has stayed with me. Kelsea and the Red Queen actually being in the same room and having conversations was fantastically tense. And I’m always going to enjoy a fantasy book with this many awesome and interesting women: Kelsea, the Red Queen, Andalie (a seer on the run), Aisa (Andalie’s daughter, learning how to use knives and swords both), Glee (Andalie’s other daughter, also a seer), Brenna (the witch), Emily (a slave in Mortmesne, spying for the Mace), Allie (barely in it, still liked her), Katie (from the past, bodyguard), Lily (part of the original Crossing)…..

The resolution, well, I’m trying to avoid spoilers but I did not see it coming. Honestly, I am going to have to splash out and buy this series, because I need to re-read the entire thing. I recommend it highly.

For those of you who are interested, there is going to be a rambly discussion post about this series in a day or so. It will be RIFE WITH SPOILERS, so be wary of that.

Rating: read this book, cling on for dear life!

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Book review catch-up: part one

Hello! Oddly enough, I am reading less than usual at the moment, but have managed nevertheless to get quite behind on reviews. How these two things have managed to occur at the same time, I’m not entirely sure :s So here is a slightly random group of catch-up reviews, for your delight and delectation. Another round of catch-ups will be published next week, and then some more normal reviews and ephemera.

Tooth and Claw

by Jo Walton

tooth and claw front cover jo walton

Bon Agornin writhed on his deathbed, his wings beating as if he could fly to his new life in his old body.

This was an odd read. It took me a little while to get into, and then suddenly it clicked that it was really quite funny. Because, essentially, this is a send up/tribute to Austen, with dragons. Yes, you heard me, dragons. Very proper, very polite dragons who are bound by tradition and propriety and an odd host of biological strangeness as well as cultural norms. It was unlike anything I’ve read before, and on those merits alone I’d recommend it. Not the most brilliant thing out there, certainly, but with charm and wit. And dragons who wear hats.

Rating: read this, and then visit your milliner.

The Bone Dragon

by Alexia Casale

the bone dragon alexia casale

I rise up, towards the surface.

I did not realise quite what this book was about when I picked it up. It is not fantasy, not really. I’d give this one quite strong trigger warnings for abusive family situations, which are in the past and now escaped, but impact hugely on the story and on the characters. It may be that it shook me as hard as it did because I was not expecting it, but I would warn anyway. If that’s something you can read, then this is a very good book indeed. Strong imagery, very well imagined characters, and a reality that’s just a little bit malleable. Our narrator is a teenage girl, who has just had an operation to remove a dead bit of bone from her ribs. She is one of the best unreliable narrators I’ve come across in a good while. It’s harrowing and brilliant and disturbing, all in one innocent looking book.

Rating: go out into the night, to the bleached moon, and face the things you fear.

The Murdstone Trilogy (a novel)

by Mal Peet

The Murdstone Trilogy Mal Peet

The sun sinks, leaving tatty furbelows of crimson cloud in the Dartmoor sky.

Hah! This book! I loved it – a hilariously mocking love-letter to fantasy, to authors, and the industry as a whole. Philip Murdstone is a writer who made a niche writing fiction about slightly odd boys finding their place in the world. But his work is not selling, and he lives in a cottage in Dartmoor and feels miserable about having no money. He also really quite fancies his agent, who persuades him that the only thing to do is to write a swords and sorcery style book. Which he has no idea how to even start.

Cue a visitation from a rather rude and grubby being from a different world, who will give him a story in return for finding an amulet. And, well, everything snowballs from there. Fantastically. As readers, we’re really kept guessing about what’s real, what’s not, and what the hell is going to happen next. Incisively observed characters, very funny descriptions and a tongue-in-cheek sense of humour that I really appreciated. You won’t get all the jokes unless you’ve actually read some swords and sorcery fantasy, but I think it would still be pretty entertaining regardless.

Rating: read this,  and perhaps refrain from making agreements with grubby beings from other worlds.

The Palace of Curiosities

by Rosie Garland

The Palace of curiosities by Rosie Garland

Before I am born, my mother goes to the circus.

A while ago, I started reading The Bloody Chamber by Angela Carter, and failed to finish it. Part of this is my personal difficulty with collections of short stories. This novel reminded me of many of the things I enjoyed in that collection – in fact I would have said that this novel is perhaps what I wanted The Bloody Chamber to be. It was weird, and definitely happening in the realm of fairytale. It was a love story, sort of, between monsters. The Palace of Curiosities had a sharp descriptive style that I liked, and alternated POV between two characters. I was completely immersed in this odd underworld of Victorian London, with the lion woman and the undying man. It was luscious and sensual and dark and odd, and I very much enjoyed it. In fact, my only complaint was that the last sentence was really awkward, and having enjoyed the rest of the book so much, I found that annoying. Still, this is something of a feast.

Rating: read this, and be wary of the circus…

And that’s all for now – until next time, keep well.

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Book Review: The Invasion of the Tearling by Erika Johansen

the invasion of the tearling erika johansen

The second Mort invasion had all the makings of a slaughter.


This, you may have guessed, is the sequel to The Queen of the Tearling. And it is amazing! One of the main points about the fantasy world that has been created here is that, although it looks pretty typical human high fantasy at first glance, it is revealed throughout the first book that actually, these people are descended from fugitives from our world. Or our world some years forward with horribly believable dystopian trappings. A revolutionary called William Tear led the Crossing (what they were crossing is a reveal in this book, so I’m not telling).

This means that the Tearling (and presumably other kingdoms and queendoms) has this interesting juxtaposition of technologically being about able to make a basic cannon, but having historical records of x-ray machines. I love it. This book really deals with that part of the story, as Kelsea starts having visions of a woman who is somehow connected to the Crossing. At first, I was a little impatient with these flashbacks as I just wanted to know what was going to happen: Mortmesne is invading! We’re getting clues about who the Red Queen is! Please just tell me what’s happening! However, after a slightly awkward section I quickly became hooked, and it started becoming clear that the flashbacks were important and also forwarding the plot.

Kelsea herself I found challenging in this instalment, but nowhere near as challenging as a lot of teenage sovereigns in fantasy can be. And I think I was meant to find her challenging, and to question her judgement and her decisions. Other characters certainly did. I loved the intrigue, the back and forth between church and crown intensifying, the preparations for this totally hopeless invasion, Kelsea’s weird magical powers starting to make more sense…

The end was, well, I had a hunch about the ending. And I was half-right. And it was a massive cliffhanger (Kelsea you redeemed yourself bigtime) and I have been waiting on tenterhooks for the final book to come into the library (which it finally has). So, if you are interested in some slightly brutal, fast-paced, interestingly-built fantasy with WOMEN, I recommend this series.

And if you have read it, I would love to chat about it with you! I have so many feelings about this series!

Rating: read this book – do not make deals with the demon in the fire.

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